Multispectral imaging of this music fragment was performed during the workshop ‘Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe’ held in Hamburg, 3–4 November 2017, at the Sonderforschungsbereich 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ (Centre for the Study of Manuscript Cultures), organised by Oliver Huck and Andreas Janke.

The results are published in:

Sebastian Bosch, Claudia Colini, Oliver Hahn, Andreas Janke, and Ivan Shevchuk, ‘The Atri Fragment Revisited I: Multispectral Imaging and Ink Identification’, Manuscript Cultures, 11 (2018), 141–156.
 
Andreas Janke and Francesco Zimei, ‘The Atri Fragment Revisited II: From the Manuscript’s Context to the Tradition of the Ballata Be’llo sa Dio’, in Oliver Huck and Andreas Janke (eds.), Liturgical Books and Music Manuscripts with Polyphonic Settings of the Mass in Medieval Europe (Musica Mensurabilis, 9), Olms: Hildesheim, 2020, 135–155.

The labels of the four TIF files (Figures 1–4) correspond to the 2018 publication.

(published online September 8, 2020)

This project was carried out in the context of the SFB 950 'Manuskriptkulturen in Asien, Afrika und Europa' funded by the German Research Foundation (Deutsche Forschungsgemeinschaft, DFG) and within the scope of the Centre for the Study of Manuscript Cultures (CSMC).