59 datasets found

This file provides the number of contributions according to the authors' nationality.

This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in...

This text investigates genre distributions across avant-garde magazines and the network of contributions to the category “Fictional Prose” in the avant-garde period.

This file comprises of all the data collected by the project in 23 cultural magazines pertaining to the avant-garde period.

This file provides the nodelist which forms the basis of figures 3 and 4.

This file provides the a list of all avant-garde contributors who had died before their contributions were published or who died in the year where this publication took place.

This file contains a list of all cultural magazines forming the corpus we analysed, containing as well links to the sources from which the digitised materials were taken.

This text explains how we developed the categories used in our data sheets and what they mean..

This text provides an introduction the concept “Modernismo”.

This file provides the edgelist which forms the basis of figures 2 and 3.

This file provides the relative percentages of genre distribution in each of the 16 modernist magazines.

This file provides the edgelist which forms the basis of figures 2 and 3.

This file visualizes an extended dedication network resulting out of the avant-garde magazines.

This text elucidates how we make use of the FAIR data principles.

This file provides the relative percentages of genre distribution in the avant-garde magazines corpus.

This animation visualizes the relative percentages of genre distributions in seven of the modernist magazines.

This file provides the relative percentages of genre distribution in each of the 23 avant-garde magazines.

This file comprises of all the data collected by the project in 42 cultural magazines.

This file provides the edgelist which forms the basis of figures 3 and 4.